Ecclesiastes 1:3-9

What does a man gain from all his labor, at which he toils under the sun? Generations come and generations go, but the earth remains forever. The sun rises and the sun sets; it hurries back to where it rises. The wind blows southward, then turns northward; round and round it swirls, ever returning on its course. All the rivers flow into the sea, yet the sea is never full; to the place from which the streams come, there again they flow. All things are wearisome, more than one can describe; the eye is not satisfied with seeing, nor the ear content with hearing. What has been will be again, and what has been done will be done again; there is nothing new under the sun.

Berean Standard Bible, public domain. Read all of Ecclesiastes 1

36 songs meet this passage

  • “The world's still spinning 'round, we don't know why”

    Champagne Supernova · Oasis

    resonates with Ecclesiastes 1:3-9

    Like the Preacher's observation that everything cycles without clear purpose, the song voices the same bewildered wondering about life's repetition and meaning.

  • Mr. Rager · Kid Cudi

    resonates with Ecclesiastes 1:2-3

    The weary questioning of when meaning or rest will truly arrive echoes the Preacher's exhausted search under the sun.

  • Kill Yourself V · $uicideboy$

    resonates with Ecclesiastes 1:2-3

    The questioning of meaning and purpose mirrors the Preacher's own wrestling with the emptiness of life under the sun.

  • “Legacy is un-debated”

    360 · Charli xcx

    strains against Ecclesiastes 1:2-3

    Qoheleth punctures exactly this kind of confident claim to lasting legacy as ultimately vapor.

  • Heat Waves · Glass Animals

    resonates with Ecclesiastes 1:2-3

    The whole song carries a wistful, vapor-like ache, chasing something that keeps slipping away, much like the Preacher's lament.

  • The Search · NF

    resonates with Ecclesiastes 1:2-3

    The song's observation that rising sales mean nothing if health declines echoes the Preacher's lament that worldly gain without wellbeing is empty.

  • Hurt · Johnny Cash

    resonates with Ecclesiastes 1:2-3

    The same weary realization that all things under the sun slip away and amount to vapor.

  • “I have climbed highest mountains”

    I Still Haven't Found What I'm Looking For · U2

    resonates with Ecclesiastes 1:2-3

    Striving after every good thing under the sun and still finding it isn't enough is the Preacher's whole ache, voiced here in a modern key.

  • “wondering why the world has passed him by”

    Meant to Live · Switchfoot

    resonates with Ecclesiastes 1:2-3

    The weary sense that ordinary life isn't delivering what it promised mirrors the Preacher's own disillusionment with 'life under the sun.'

  • Stairway to Heaven · Led Zeppelin

    resonates with Ecclesiastes 1:2-3

    The song's overall haze of searching without resolution, smoke rings, whispering winds, pipers, echoes the Preacher's restless wondering about meaning without a settled answer.

  • Kashmir · Led Zeppelin

    strains against Ecclesiastes 1:2-3

    Where the song finds a personal paradise to chase and return to, Ecclesiastes questions whether any earthly place or pursuit can ultimately satisfy.

  • “It's a death trap, it's a suicide rap”

    Born to Run · Bruce Springsteen

    resonates with Ecclesiastes 1:2-3

    The narrator senses the emptiness of a life spent grinding toward nothing, much like the Preacher's lament over toil 'under the sun.'

  • “It's only teenage wasteland”

    Baba O'Riley · The Who

    resonates with Ecclesiastes 1:2-3

    Both name a hollow, drifting emptiness in the search for meaning, though the song never moves past naming it.

  • “got nothing to lose”

    Fast Car · Luke Combs

    resonates with Ecclesiastes 1:2-3

    The weary sense of starting from nothing and chasing a better life mirrors Ecclesiastes' honest wrestling with life's hard labor and uncertain gain.

  • “It says nothing to me about my life”

    Panic · The Smiths

    resonates with Ecclesiastes 1:2-3

    A lament that surface culture fails to speak to real suffering, akin to Qoheleth's complaint about toil without substance.

  • “Dreaming of a past that couldn't last”

    Bad Blood · Nao

    resonates with Ecclesiastes 1:2-4

    The ache over something fleeting and unrecoverable mirrors the Preacher's meditation on the transience of all human things.

  • “Nothing lasts forever”

    Wildest Dreams · Taylor Swift

    resonates with Ecclesiastes 1:2-4

    The song's refrain about impermanence echoes the Preacher's meditation on the fleetingness of all things under the sun.

  • When We Were Young · Adele

    resonates with Ecclesiastes 1:2-4

    The song's whole posture, that youth and beauty fade like a passing generation, sits close to the Preacher's meditation on fleeting time.

  • “Gonna be a big man someday”

    We Will Rock You · Queen

    strains against Ecclesiastes 1:2-4

    The boy's dream of future greatness echoes the restless human ambition Ecclesiastes names as fleeting, a chasing after wind that fades with each generation.

  • November Rain · Guns N' Roses

    resonates with Ecclesiastes 1:2-4

    The song's resignation to the fleeting nature of love mirrors the Preacher's lament over the transience of all things under the sun.

  • “So many people have come and gone”

    More Than a Feeling · Boston

    resonates with Ecclesiastes 1:4

    The song's ache over fading faces and passing years mirrors the Preacher's observation that generations come and go while the world continues.

  • “Why does the sun go on shining?”

    The End of the World · Skeeter Davis

    resonates with Ecclesiastes 1:5

    The Preacher also marvels that the sun rises and sets indifferent to human sorrow; this song voices that same ancient bewilderment.

  • “Life is a waterfall”

    Aerials · System Of A Down

    resonates with Ecclesiastes 1:7

    The image of life as flowing water echoes Ecclesiastes' meditation on the ceaseless cycles of nature and existence.

  • “Or do you need more?”

    Shallow · Lady Gaga & Bradley Cooper

    resonates with Ecclesiastes 1:8

    The restlessness of 'the eye is not satisfied with seeing' matches this searching question about whether modern comfort is ever truly enough.

  • Dancing In the Dark · Bruce Springsteen

    resonates with Ecclesiastes 1:8

    This is the Preacher's own weariness: everything has been seen, done, and still leaves the soul unsatisfied.

  • The Sound of Silence · Simon & Garfunkel

    resonates with Ecclesiastes 1:8

    The whole song's ache, that words and noise abound yet nothing is truly communicated or satisfied, echoes the Preacher's weary verdict on human toil and speech.

  • “Yeah, I'm searching, but I don't find”

    Trance Dance · ODIE

    resonates with Ecclesiastes 1:8-9

    The restless search for meaning without resolution is the Preacher's own ache, not a sign of unbelief.

  • “Same old nigga and the same old pain”

    Another Day · Kid Cudi

    resonates with Ecclesiastes 1:9

    Captures the same weary sense of repetition and nothing truly changing, a very Ecclesiastes-like admission of futility.

  • squabble up · Kendrick Lamar

    strains against Ecclesiastes 1:9

    The claim of reincarnation and self-made identity stands against the biblical pattern of one life, one accountability before God, not cycles of self-renewal.

  • I Love You, I'm Sorry · Gracie Abrams

    resonates with Ecclesiastes 1:9

    The song's resigned 'that's just the way life goes' mirrors the Preacher's weary sense that patterns repeat without real change.

  • “If we never learn, we've been here before”

    Sign of the Times · Harry Styles

    resonates with Ecclesiastes 1:9

    The weary refrain of repeated cycles and unlearned lessons mirrors the Preacher's lament that nothing truly new happens under the sun.

  • “I knew that this was doomed from the get-go”

    Circles · Post Malone

    resonates with Ecclesiastes 1:9

    Captures the weary sense of repetition without progress that runs through both the song and the Preacher's lament.

  • “I raise my flag, dye my clothes, it's a revolution”

    Radioactive · Imagine Dragons

    strains against Ecclesiastes 1:9

    The singer imagines a wholly new self and age, but the Preacher reminds us that human reinvention has limits; real renewal comes from outside ourselves.

  • “I bet that she knows Billy Joel”

    deja vu · Olivia Rodrigo

    resonates with Ecclesiastes 1:9

    The song's central ache, that everything repeats and nothing is truly new under this particular sun, mirrors the Preacher's weary observation.

  • “it's the same old theme since 1916”

    Zombie (2025 Remastered) · The Cranberries

    resonates with Ecclesiastes 1:9

    The weary recognition that this violence repeats across generations echoes the Preacher's observation that there is nothing new under the sun.

  • “Another version of me, I was in it”

    End of Beginning · Djo

    resonates with Ecclesiastes 1:9-11

    The song's sense that past selves and seasons blur together echoes the Preacher's observation that what has been will be again, and former things are soon forgotten.

Elsewhere in Ecclesiastes 1